More on the Barclays Center's neon art/advertising installation: scenes from "Block Party," video of speeches by pols, artist, sponsor
Let me expand on my essay in The Indypendent, "Art or Advertising? The Contradictions of 'You/We Belong Here' Neon Signage at Barclays Center" with some more images, observations, and videos of the ceremony, aka "Belong the Block Party," held at the arena plaza on October 23.
At right is the invitation.
Below is a photo I took of Joe Tsai and Clara Wu Tsai, owners of the Brooklyn Nets, Barclays Center operating company, and New York Liberty--and, of course, behind the Tsai Foundation's Social Justice Fund--posing with Rep. Yvette Clarke, one of the two establishment politicians who spoke at the event.
Note that, in the backdrop, the Brooklyn Nets and New York Liberty logos are just as prominent as the branding for the Social Justice Fund.
Photos by Norman Oder |
Another view of the platform for the ceremony, with the logos.
Below, the uneasy combination of signage from the Social Justice Fund and Webull, sponsor of the Nets' uniform patch.
As shown in the photo at right, the swag was all Nets-related: a bag and a mask.
Below, I reproduce videos of the four main speakers, though keep in mind that the event included not just free food (including from vendors supported by the Social Justice Fund's low-cost loan program) and tables from various agencies, but performances from the Brooklyn Steppers marching band, the Brooklynette, and others associated with arena entertainment, including kids' and seniors' troupes.Clara Wu Tsai
"So, you know, on behalf of Joe and myself and Barclays Center, the Brooklyn Nets and the New York Liberty, I really want to thank all of you for coming out today. I mean, I'm looking out and I look at the rich diversity of this borough and it's really inspiring, the power of the people at this borough."
She cited some of the "businesses that we've been able to support," hired to cater the event.
"I really believe in the power of art, and I really believe in the power of public art. And when it's done well, it really speaks to our shared identity and our shared pride and really to our belonging."
"And just about every high profile march in Brooklyn, seems to have begun and ended or passed through this great arena. And it wasn't that long ago, that the this very plaza was filled with thousands of people protesting the murder of George Floyd. So how fitting that the Barclays plaza is located at the crossroads of the two biggest streets in the city's most populous borough. If you build it, Brooklynites will come. We will show up and we will show out."
"We'll come from the great entertainment offered, but also in defense of freedom, and our ongoing demand for change and justice. And we can all finally believe it. This iconic arena accommodates the diverse nation that Brooklyn represents. From concerts, the Nets, public art project, and the candlelight vigils to Black Lives Matter protests, and Friday afternoons."
"Let me say when I hear the words 'We belong here' it's a very complicated feeling I have because someone shouldn't have to tell me that I belong where I was born and where I live. But when you look at what has happened over this country, over the last hundreds of few hundreds of years, it became important to say Black Lives Matter. It became important to uplift those who have been marginalized and who have been racially set aside."
Those are heartfelt and important observations, but, as I point out in my main essay, it's notable that the event producers apparently did not invite--or attract--any of the more radical organizers of the protests.
Benjamin continued: "And so when I think of we belong here, I say to myself, we all belong here, but some people need to see and know that Black and brown people belong here."
"So I'm gonna keep this really short and simple," said Strachan. "When you hear words like 'You belong here' and 'We belong here,' unfortunately, we live in a world where these statements are necessary. And for me, whenever I make words like this, the goal is for us at some point in the future, to not have to say these words to each other."
He seemed to be asserting the statements as declarative, rather than as raising questions, as he's done with similar installations, as I wrote.
He invited Clara Wu Tsai onstage to light the installation. Afterwards, he stated, "So, thank you all for coming out. Hopefully this space continues to be a place of conversation, a space of contemplation, and all of the folks who are in the crowd and it might be a lot of us, have felt what it feels like to not feel like you belong somewhere."
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