Giant sculpture with "gritty vibrancy" arrives at Barclays Center, gets big promotion from Times Arts section (looks like mesa, flames, or gyro?)
Piotr Redlinski for The New York Times Well, you can't blame the New York Times for glomming onto an exclusive, coverage of the new sculpture at the Barclays Center plaza, headlined (on the first Arts page) today, All Eyes on Her: ‘Ona,’ by Ursula von Rydingsvard, Arrives in Brooklyn , complete with an eight-photo slideshow . After all, the Wall Street Journal got the exclusive preview in August, and it is worth explaining to the public. But it's curious how the Times finds it easy to prominently cover this uncomplicatedly promotional story while ignoring, say, the impact of the MTV Video Music Awards on Prospect Heights neighbors or parent Forest City Enterprises' self-serving Corporate Social Responsibility report . Or, as I wrote in April, distracting from the delays in delivering benefits such as subsidized housing or the jobs that were supposed to come with the office tower looming over the arena. Consider: the sculpture likely cost less than $1