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Yup, Dyson's Jay-Z: Made in America makes no mention of Atlantic Yards or Barclays Center

Yes, I read/skimmed it, and there's no mention of Atlantic Yards or the Barclays Center.

Ok, here's the blurb from publisher Macmillan:
JAY-Z: Made in America is the fruit of Michael Eric Dysonā€™s decade of teaching the work of one of the greatest poets this nation has produced, as gifted a wordsmith as Walt Whitman, Robert Frost and Rita Dove. But as a rapper, heā€™s sometimes not given the credit he deserves for just how great an artist heā€™s been for so long. 
This book wrestles with the biggest themes of JAY-Z's career, including hustling, and it recognizes the way that heā€™s always weaved politics into his music, making important statements about race, criminal justice, black wealth and social injustice. As he enters his fifties, and to mark his thirty years as a recording artist, this is the perfect time to take a look at JAY-Zā€™s career and his role in making this nation what it is today. 
In many ways, this is JAY-Zā€™s America as much as itā€™s Pelosiā€™s America, or Trumpā€™s America, or Martin Luther Kingā€™s America. JAY-Z has given this country a language to think with and words to live by.
And here's Allison Stewart's 12/5/19 review from the Washington Post, In Michael Eric Dysonā€™s new book, Jay-Z is the living embodiment of American ideals
In his new book, ā€œJAY-Z: Made in America,ā€ which has its origins in that now-long-running class, Dyson uses the rapperā€™s life story and lyrics as a lens through which to view America in the 21st century. He argues that Jay-Z is the living embodiment of American ideals, the ultimate hustler in a nation built by hustlers and strivers. ā€œJAY-Z is America at its scrappy, brash, irreverent, soulful, ingenious best,ā€ he writes. 
...Dyson writes with the affection of a fan but the rigor of an academic... Using extensive passages from Jay-Zā€™s lyrics, ā€œMade in Americaā€ examines the rapperā€™s role as a poet, an aesthete, an advocate for racial justice and a business, man, but devotes much of its energy to Hova the Hustler. Hustling is central to the American character, Dyson argues, and in Jay-Zā€™s transition from dealer to tycoon, ā€œhe has willed himself, by dint of his talent, to change from a man who sowed mayhem in his urban community to a man who gives nobler meaning to hustling.ā€
No arena

Fair enough, which is why it's disappointing--though not surprising, given that the book's relatively short--that Dyson doesn't address Jay-Z's mutually beneficial relationship with developer Bruce Ratner and mogul Mikhail Prokhorov, serving as a proponent of the Barclays Center and the larger Atlantic Yards project, and opening the arena spectacularly in 2012.

As I wrote, "you can't hustle a hustler," do Jay-Z didn't get used.

Dyson's argument

It would've been particularly interesting because Dyson does grapple--with a stance at odds with Jay-Z's critics--with a higher-profile example of Jay-Z's willingness to play ball.

Jay-Z didnā€™t ā€˜sell outā€™ by dealing with the NFL. This is just how activism works., wrote Dyson 8/23/19 in the Washington Post:
I remembered these bitter charges as controversy dogged the announcement this month that Jay-Zā€™s company, Roc Nation, had signed a contract with the National Football League to advise on live music, entertainment and social justice projects. Jay had stood up for former NFL quarterback Colin Kaepernick. He wore Kaepernickā€™s jersey while performing on ā€œSaturday Night Live,ā€ advised other performers to boycott the Super Bowl halftime show... Now heā€™s doing business with the organization that colluded to banish Kaepernick for kneeling during the national anthem to protest racial injustice. Associated Press sports columnist Paul Newberry called Jay a ā€œtotal sellout"... Jayā€™s justification: ā€œI think weā€™ve moved past kneeling. I think itā€™s time for action.ā€
Kaepernick and Jay-Z are not the modern-day equivalents of Malcom and King, but those pairs reflect an eternal tension ā€” the outside agitators who apply pressure and the inside activators who patrol the halls of power, bringing knowledge and wisdom ā€” in civil rights and black freedom movements... 
Jay did not write off protest when he said we are ā€œpast kneeling.ā€ He simply cast Kaepernick as a runner in a relay race rather than a boxer fighting alone in the ring. 

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