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Fishman's address had a dual title: Historians of Hope: Preservation and the End of the Urban Crisis and Has Preservation Helped Us Rediscover the City? His answer, unsurprisingly, was yes, as he insightfully sketched a 40-year history little-known to many New Yorkers, one in which the values of city life--not so just historic architecture but more a sense of scale and walkability and public transit--were nearly sacrificed to the automobile.
The preservation movement, he said, āhas been shadowedāyou might say hauntedāby the urban crisis itself.ā He flashed a slide of a New York Times headline, from 4/11/65, that announced the establishment of the cityās Landmarks Preservation Commission. (The Brooklyn Heights Association successfully lobbied for the city's first historic district.)
āOnly eight months before, Harlem had been torn apart by a terrible riot,ā Fishman observed. Meanwhile, New York was hemorrhaging manufacturing jobs that could support working-class families; in the early 1960s, the city had over a million such jobs, while about a quarter were lost in the decade after 1965, and the total is merely 200,000 today.
He showed a slide made by photographer Camilo Jose Vergara of the devastated South Bronx. āThis right [to save our architectural heritage] didnāt spread to the South Bronxā¦. This is the other face of New York during the early era of the Landmarks Preservation Commission.ā
Some considered gentrification āislands of prosperityā in the midst of decay. āGiven the strength of the destructive forces, historic preservation was at best, an admirable irrelevancy,ā he said. āAt worst, it could be considered an attempt to separate oneself from the city.ā
A more optimistic perspective
āToday, I want to suggest a different meaning. The city was caught up in this riptide of destruction that seemed to have no end,ā he said. This ārolling wave of abandonment and sprawlā in the āterrible period of the 70s and 80sā challenged some to wonder if cities were viable. āSo, to me, the great value and real meaning of historic preservation was: you were not preserving neighborhoods; you were preserving urbanism itself.ā
Such neighborhoods, like the Upper West Side and Greenwich Village that he cited (and, of course, Brooklyn neighborhoods near the Atlantic Yards project like Park Slope and Fort Greene) inspired architects, urban designers, and planners to ālearn the basic lessons of urbanism,ā including the importance of density, walkability, mixed-use and mixed-income blocks, the role of the street and sidewalk, neighborhood parks, urban scale āand especially the transit links that weave together the city.ā
Not only did the design profession learn the lesson of urbanism, so did the public at large. Fishman quoted Vincent Scully, the great Yale architectural historian, who observed that the preservation movement was the only popular design movement of the 20th century. āWhere have you seen people demonstrating for post-modernism?ā
Preservation and revival
Now New York has revived, for several reasons, including its key role in the global economy and the influx of immigrants. But one of the principal reasons, Fishman said, is āthe capacity of New York to deliver an urban experience, of living in a walkable neighborhood.ā
He showed a slide of a recent New York Times article that predicted a population boom in all five boroughs, and contrasted it with then-NYC housing commissioner Roger Starrās infamous 1976 call for planned shrinkage, in which the city would withdraw services from neighborhoods that didnāt deserve to survive. Similarly, the great architectural critic Lewis Mumford was pessimistic, declaring, āMake the patient as comfortable as possible. His case is hopeless.ā
But Jane Jacobs understood. āWhat weāre approaching is what she predicted 40 years ago, what she called "unslumming," Fishman said. āShe meant not what happened when richer people move in, but when people living there get greater resource and they choose to stay.ā These days, gentrification is only part of the story, he said. āMuch is coming from people in place.ā
(That was to be debated in a later panel--and it depends on what neighborhood you're talking about. Just Sunday the New York Times Magazine reported on how the Brooklyn neighborhood of Bushwick is gentrifying, but some longer-term residents are vulnerable, not just the immigrants but even the artists who first "discovered" the neighborhood.)
The failures of Moses
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Le Corbusier believed that the city should be opened up to autos, that āthe city that achieves speed achieves success,ā Fishman said. LeCorbusier believed in a technological determinism, "that to be modern meant you were part of an elite with a āruthless attitude toward the past.ā He showed a picture of a row house neighborhood: āThis was the horse and buggy era that had to be swept away.ā
The housing complex of Stuyvesant Town was one example, and Fishman noted that federal subsidies for housing and highways helped launch the change. Also proposedāincredible todayāwere expressways through Lower Manhattan and Mid-Manhattan.
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The unique Village?
It couldn't have happened just anywhere. āGreenwich Village almost uniquely in the 1950s had the intellectual wherewithal to work out a theory as to why Moses was wrong,ā Fishman observed, noting that the counterculture weekly Village Voice had just emerged. Urban planner Charles Abrams gave a famous speech, āRevolt of the Urbs,ā which constituted āthe intellectual charter of the preservation movement,ā celebrating the community against projects and pedestrians against automobiles. As for Greenwich Village, Fishman recounted, āits values must be rediscovered and built upon, not destroyed.ā
There were also some fortunate political dynamics. The last boss of Tammany Hall, Carmine DeSapio, lived in Greenwich Village, and in order to survive politically, he threw his influence behind Hayes.
While Jacobs was not a major figure in the Washington Square battle, she learned from it, and made it a signal piece of her book Death and Life of Great American Cities. (There she distinguishes between ācar peopleā and āfoot people.ā)
Fishman also cited a cartoon from then-fledgling cartoonist Jules Feiffer, who portrayed an architectural history lesson given on the planet Mars, which a progression from decontextualized towers to the row house. āIsnāt it incredible the progress made?ā read a caption.
Looking back and forth
LeCorbusier and Moses only looked forward. āTo be a historian of hope is to say history moves in two directions,ā Fishman declared. āWhat is past is part of our resources for the future.ā
He was asked about sprawl. āNew York is perhaps the only metropolitan area where there as many building permits at the center than at the edge,ā he said. āPossibly the 21st century city will be a city of balance."
The 21st century city is also a place of contention, and subsequent panels addressed some knotty questions about economics and race. I'll discuss them tomorrow.
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